You'll never overload an R-10! endobj The Royer Labs R-10 is a passive ribbon microphone that can handle pressure levels up to 160 dB. You’ll never overload an R-10! Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 utilizes a David Royer custom designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. The R-10’s 2.5-micron aluminum ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10’s built-in windscreen provides superior protection from air blasts and plosives. Frequency Response 18 Warranty 19 2. ;C��Ҧ Royer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. endobj << /Length 5 0 R /Filter /FlateDecode >> 4 0 obj With it’s flat frequency response, well balanced sound field as well as it’s compact size and mounting configuration, the R-10 is a great fit in any studio or live application. 1v/pa). 2 0 obj endobj Also from the specifications, the frequency response is quoted as 30Hz to 15kHz with a ±3dB tolerance. If you hear something different in a comparison, I'd look to microphone placement. 630 endstream 5 0 obj The R-10’s internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability. Your Browser does not support the new HTML5 Audio-Tag, sorry! Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments. Vocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin. {�#�'� Z��3�[��e�������+���D"Eq e���L��4���꫹�E� �+8� ��O�2������>+����5��&��2��8#!W��RN+"�E҄���(�x�s׎1Mba<2�~���oic�71��W"���Vc�?i$� ��?�U~ͣ�a�#�ݰ3��eK����A8#�v�������]w?��>.|+�!m�I�9n�n�9� ǫ���_��k-J�`zl���j��`;��rp��Y�To'�I�#=F}�T�y �K��. The R-10 is ... Royer’s patented offset-ribbon technology and a custom-designed matching transformer, the R-10 is able to handle … << /Type /Page /Parent 3 0 R /Resources 6 0 R /Contents 4 0 R /MediaBox [0 0 612 792] A compressed R-10 in front of the kit sounds huge and punchy. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise. true /ColorSpace 7 0 R /Intent /Perceptual /BitsPerComponent 8 /Filter /DCTDecode The R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). Hi all, ... Not only in the Frequency Response graphs but in real life and even in the demos, the R-121 has more top end than the R-10. It has a frequency response of 30 Hz–15 kHz ±3 dB and a sensitivity of -54 dBv (re. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results. Ye|�ܱy��h?�};TM�WY�y�(���"aʆX��0k��.N��%*� �c�=�~�@��x�v.dN N�>a������P�?�V�1��>��/�.�[�/}p��6��g�Fft��>�'��3���.A���y��>'e���8�Q;ϩB7&x << /ProcSet [ /PDF /Text /ImageB /ImageC /ImageI ] /ColorSpace << /Cs1 7 0 R For the demo, we did three styles of electric guitar. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. stream >> �� � w !1AQaq"2�B���� #3R�br� 6 0 obj For more information on the R-series transducer design, see https://www.youtube.com/watch?v=B-KaSiYYcDU. Royer's Patented Offset Ribbon Technology. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. • High SPL capabilities for electric guitar, brass and other close miking applications, • Multi-layered wind screen provides superior protection to ribbon element, • Internally shock-mounted ribbon transducer gives increased durability, • Passive design and custom transformer minimize high SPL overload, • Hum-bucking transducer design delivers extremely low residual noise, • Ribbon element not affected by heat or humidity, • Absence of high-frequency peaks, “ringing” and phase shifts, • Equal sensitivity from front or back of the element, • Close miking in the studio and on live stages, • Drum overheads, kick drum (see manual for position), room miking, Pro Sound News - Review: Royer R-10 Ribbon Microphone, Front Of House - Royer Labs R-10 Ribbon Microphone, Sound On Sound Magazine - Royer Labs R-10 ribbon Microphone, Recording Magazine - Royer R-10 - An exclusive first look at Royer's remarkably affordable new ribbon mic, © 2020 Royer Labs • 2711 Empire Ave., Burbank CA, 91504 • 818.847.0121, Acoustic Operating Principle: Electrodynamic pressure gradient, Generating Element: 2.5-micron aluminum ribbon, Frequency Response: 30Hz-15,000Hz +/- 3dB, Recommended Load Impedance: 700 Ohms (or greater), Output Connector: Male XLR 3-pin (Pin 2 Hot), Dimensions: Length including mounting base: 5 7/8 inches (149 mm) Width 1 3/8 inches (35 mm), Shipping Weight: Single: 2.5 lbs, Matched Pair: 4 lbs, Accessories: Microphone Holder, Mic Sock, Carrying Case, Microphone: Adjustable Swivel Mount (Black), Microphone Warranty: Five Year, First Re-ribbon free in first year, Recording on the back of the R-series microphone. See Audio/Video tab below for sound samples and mic comparisons. /Cs2 9 0 R >> /Font << /TT2 10 0 R /TT1 8 0 R >> /XObject << /Im1 11 0 R >> �� � } !1AQa"q2���#B��R��$3br� The mic incorporates a shockmounted ribbon transducer with a built-in windscreen and custom David Royer-designed step-up … The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. :߷��\��u8�p?��r}M?j��~�-��+?��+l�eƧj�զA�k5�"�d�T�����O��V��&��]ZBN1׿�G�>����������gh��� }Uw��� '�?6�rFq�� ���� Z���5xQI>�w�r~��?��s��G������8|#��x�������������?��� �_^�Ͼ�&���^d u^;c�8�p>�Z��S�� ���c�M�����q��ӿ_Z�Vk�J�S��~�43�Y���� ����( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��(������( ����jVzE�����(aR�ǰ&�/Q�_x����c�{Z���^u,��8 �}9� ��� �kPb���:F�.?��j%R+sXє�Ӝ�FE~P?��+j�}v�8�2(>�)��Mk_�z��q�H�>d�_C�g��V}Y��YTe�*����|��w0ֿ-����QF�^�~a�C��y�? >> The R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. >> R-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warmth and natural and fit into mixes easily. ���� JFIF � � �� �Exif MM * > F( �i N � � � � Y� � �� 8Photoshop 3.0 8BIM 8BIM% ��ُ �� ���B~�� �Y" �� The R-10 features a flat frequency response and a well-balanced sound-field and can handle SPLs up to 160dB at 1kHz. << /Length 12 0 R /Type /XObject /Subtype /Image /Width 345 /Height 1015 /Interpolate endobj For audio examples of EQ’d vocals, visit our Audio/Video Library. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. 9��T��������Fb��~����~xh*��s���i�卖�2%�Z��T���*/�ZiP����%�7e��W�0�H?�\��-���o$�R\�B�?�S�H�u The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. �ߴG�$8oY� �G�+�6��džV&hR�2�r����:}z��BO�q����j*����O@?Z�o%�+��}O���~�Hق:���*3�H| ���~��7��HuE�tQ���v~�����P\��Bw�{��3�䖭'�Uۣ�јv��h���p#�㾝�g�k���w;�9ŋ�DtN��ţ�c��P1����B>�m�›y-��rNJP��S�g?�tڋqE��u��������91���l $��q��kf� 2[;6��=�f���$�;�~ځ�z��Ve�9u���D����!������UV@)�Ր��t ]W��u��Η���I��Ơ���/��#�Ї�f!q����P�d The R-10's patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the back side (3 feet or closer; phase reversed position). The mic includes a 5-year warranty, and the first re-ribbon (within the first year) is free. Royer R10 or 121? Drums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. %PDF-1.3 x�UMo�0��W��`�Z�,��u��n�vvH�t-���EB��{|�W�� �� C �� �� ? 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