“Seeing, in black & white, how the original interior was composed has led me to several decisions – from cork flooring to the purchase of fiberglass arm shells by Charles Eames, a ball clock by George Nelson and so much more. From the moment it was built, the home was celebrated for its innovative design. 16 ª similar to a flag was the first of three works with the architect involved in the Case Study Houses. The CSH No. Now, for the first time in 50 years, the property is back on the market—currently listed for $2,995,000. The book also benefited from residential testing in commercial architecture. The CSH No. Craig Ellwood 1922-1992. Built-in Bel Air Road in the hills of Bel Air, Los Angeles, California, USA. “By restoring a patio that for decades was enclosed into a room; deleting a laundry room addition, and pulling a glass wall back to its original configuration I think my house is about 600 square feet smaller than what I purchased.”. One of Craig Ellwood’s architectural masterpieces is now on the market. By the time I occupied the home, I had been in regular contact with Jackson and Alfonso Perez-Mendez who was also in the midst of publishing two books on Ellwood.”. Craig Ellwood’s houses were the beginning and the origin of his experimentation, and as domestic architecture built until his last years, the houses provide a large enough of his career. Recently listed for $2,995,000, Case Study House #16 was the first of three houses Ellwood designed for the program—and it’s the only one still intact. York also stayed true to the design’s vision by removing windows in the eastern wall of the home as they undermined Ellwood’s either-or determination, which dictated that walls should either be solid or completely transparent. The basic shelter materials were steel, glass and concrete, treated with extreme sensitivity and elegance. Know of a home for sale or rent that should be featured on Dwell.com? It wasn’t until early 1999, when a plan to relocate closer to San Diego State University, York’s place of work at the time, and a short conversation on a lawn in front of a stark, gently foreboding facade, that the now flourishing seed was planted. Set on a flat site in the hills of Bel Air, the residence has had only two owners since its completion. "The house was innovative in its use of exposed steel structural framing, and floor-to-ceiling glass walls took advantage of spectacular views," notes the Los Angeles Conservancy. Translucent glass panels shield the modular steel structure, making the residence read as a floating pavilion from the street. Most importantly to York, however, is arriving home every day to the stained redwood wall that faces the street with contempt, and being able to enjoy this magnificent home with his family, in the knowledge that his daughter, growing up in these innovative and inspiring surroundings, will be shaped by the home in which she lives. Completed in 1953, the single-story, flat-roofed home was the first of three contributions Ellwood made to Arts & Architecture magazine’s Case Study House Program. On the inside, Ellwood left the conventional use of floor to ceiling partitions to replace panels embedded in steel racks seen giving the impression of floating space. Today, the two-bedroom abode is the only surviving member of the trio, as the other two homes were since heavily remodeled. Although he was an engineer by trade and had no formal architectural training, Ellwood had a passion for using industrial materials and construction techniques in residential architecture. Introduction. The vertical of the “T” contains the living and dining area, divided by a fireplace, providing the most dramatic vantage point for … An architectural superstar, he was fashioned and honed by ambition, charm and an eye for great design. In the living room, an original natural rock fireplace continues through the glass to divide the patio. Floor-to-ceiling glass walls invite warm natural light into the 1,664-square-foot interior. With the exception of a few minor changes over the years, it remains in its original condition—and it’s now recognized as a city landmark by the Los Angeles Conservancy. The home’s front facade is wrapped with translucent glass panels. Craig Ellwood’s houses were the beginning and the origin of his experimentation, and as domestic architecture built until his last years, the houses provide a large enough of his career. Such a structure is the hillside house in California by Craig Ellwood.” The “T” shaped plan was chosen to divide view benefits in consideration of area. Big break Case Study House 16, Salzman House (1953) Buildings Case Study Houses (1951-58) Smith House, Los Angeles (1955) Scientific Facilities, California (1969) Real name Johnnie Burke. Unbeknownst to him and the house’s then owner, York had stumbled across Craig Ellwood’s Bobertz House. One of Craig Ellwood’s architectural masterpieces is now on the market. Education Structural Engineering UCLA Night School, self-trained as a cost estimator at ‘Craig Ellwood’ and Lamport Cofer Salzman. The home is located on an 8,427-square-foot lot in Bel Air, and its "layout and siting align with the views and sun orientation, taking full advantage of both.". The house was already driving York toward research and involvement in mid-century domestic architecture, and he soon understood that he was not simply buying a home, but buying a work of art and innovative design. Today, the two-bedroom abode is the only surviving member of the trio, as the other two homes were since heavily remodeled. The book also benefited from residential testing in commercial architecture. York was sold, and wasted no time working towards acquiring the home he now loves. York’s own domestic space has instilled in him the belief that the home can serve as a platform to teach and learn, not only to inhabit. See more ideas about Craig ellwood, Architecture, Case study houses. 1811 Bel Air Road in Los Angeles, CA, is currently listed for $2,995,000 by Aaron Kirman, Dalton Gomez, and Weston Littlefield of the Aaron Kirman Group at Compass. “In 2000, I leased the house to keep it from going up for sale – buying time while I fixed up my house for sale – and later in the year purchased it. The first great challenge was when I realized that I bought a home that needed to be restored rather than remodeled or renovated as most home buyers consider.”, York’s goal was not to simply redecorate, but “to restore the house as a commitment to the community, to architectural scholarship, as well as my own aesthetic vision.”. “I drove the length of California to see Wright sites; I began photographing unique homes in San Diego, and was spending my lunch hour in the library.”. Steel beams support the home’s roof while creating a trellised covering for the side patio. Around the same time that York discovered Ellwood’s Bobertz house, his interest in architecture grew to a fever pitch. Believing that the structure was not so different to the other 1950’s constructions on the street, the owner gave no clue as to the house’s origins but did gave away one piece of information that would ignite in York the desire to hand deliver a letter of enquiry within a few days; beyond the vast, opaque redwood` walls, the house was comprised of floor to ceiling glass walls. This particular mid-century house garners so much interest due to York’s devoted restoration work. Mid-Century Home 2019, Transforming a 1950s Victorian Home into a Down-to-Earth Dream Home, Modern Residence Brings in its Surrounding Scenery, A Transformed Midcentury Cottage Focuses on Sustainability. The Fields House / Case Study House nº18 by architect Craig Ellwood was built in Miradero Road, Beverly Hills, California, United States in 1956–1958.

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